At what point does perpetual loss and tragedy in a fictional narrative become too much? I ask, because I am in the midst of my seasonal obsession with the latest series of Doctor Who (Series 4, if you're counting) and once again, in a finale that combines the overcoming of a mighty villain with tragic loss on the part of the heroes, I come out of it depressed and discouraged.I should mention that the finale has not aired here yet, but in fear that I might accidentally stumble over key spoilers on the web, I took it upon myself to temporarily acquire viewing copies (don't ask how, please) so that I might be able to watch spoiler-free for a change (having been too curious to wait with the first 3 seasons). I don't think I'm giving anything away when I say the bad guys are beaten and the universe saved, but at a personal cost. Some of the heroes end up happily, some are lost, and the Doctor is again alone.
The difference this time is that the writer/producer Russell T Davies, who has tweaked this storyline since the series revival in 2005, has made the losses more palpable, and made no effort to alleviate the Doctor's loneliness. And this is ostensibly a CHILDREN'S SHOW. Granted, loads of adults like myself watch with great interest, but it's still marketed and advertised for the youth.
So I can't help but wonder if RTD isn't being self-indulgent - his work is traditionally racy, dark, and undeniably mature (as is illustrated by his adult series Torchwood) and I think he has ended his 4-year run with DW (he's moving on to other projects) with a real downer of an episode. I know he's clearing the deck for the next writer/producer Steven Moffatt (who has done some of the best episodes of the last 4 years, and has a reputation for NOT killing off characters!) but I came out of it feeling undeniably sad.
They've made the series that aired for decades into a considerably more dramatic and weighty vehicle; previous doctors never got particularly emotional, and moral dilemmas never seemed to be all that much of an issue. But that is now the heart of the series, and although I can appreciate the artistry and how easily it can make me cry at times, I wish sometimes they could just let it be Fun and Adventure, and not so much Tragedy. A good cry is great once and a while, but it seems like I've been doing a lot of it this series! And I can't help but wonder what children make of this; if they are made depressed by this recurrence of grief. I'm not one of those people who think kids should only ever hear happy stories and should be shielded from all of life's difficulties, but there's just so much sorrow one can take in an entertainment before it's too much.
There were happy moments; some great comedy, and some lovely resolutions. But I've been feeling melancholy all weekend after a Who Marathon of the last 4 episodes, and that hardly seems like a desirable result for a TV series!
10 comments:
Donna Noble has left the library.
Donna Noble has been saved.
You know, I wasn't wild about that two-parter; I much prefer Empty Child/Doctor Dances as an example of Moffatt's work!
I've only just begun to watch the series, mixing season one in with the newer episodes, and I absolutely love all of it. My kids still walk around saying, "Hey! Who turned out the lights?"
oh nonononono! You need to STOP!
There is a very definite build; you can wait on season 3 til later, but you MUST watch all of seasons 1 and 2 for this finale to work! Oh please!
I know, it shouldn't matter so much... but it's like watching episodes of LOST out of order. It's very much a "to be continued" storyline. There are one-off stories (the Agatha Christie one, for example) that can be taken out of order just fine, but others that are crucial to have as background.
Okay, after some marathon sessions of watching I have only eight episodes left in season 2 left. Pant... pant... the pace is grueling. I am determined to finish season 2 by Friday in order to fully appreciate what is coming, whatever that might be.
Ya know, Tom Baker was on for *8* series! I really like David Tennant!
And yeah, Empty Child/The Doctor Dances was fantastic. Everybody lives! Nevertheless, I still teared up when River Song was saying her goodbyes...
I'll make it easier for you... you can skip The Idiot's Lantern, Love and Monsters, and Fear Her... they aren't as crucial, and can be taken out of sequence without any crucial foreshadowing lost.
I really liked River Song's character and the fact that someone, finally, mattered so much to the Doctor that he would tell them his name... but did you catch the bit of prophecy about her in Planet of the Ood!?
Okay, 5 more episodes to go. I'm not skipping any of them.
Is that the "song will soon end" thing? I couldn't really tell if foreshadowing River Song was the intention or not.... like a jigsaw puzzle piece that fits but has the wrong picture. Then again, I'm pretty thick. ;-)
I agree, I think the song ending reference was for her - I couldn't find anything else that came close in the finale... the forums overall seem to have much the same opinion.
Season 2 completely absorbed. I am unaccustomed to watching so much TV; it makes me feel idle while simultaneously being exhilarating. Such a strange illusion of activity.
it is possible to OD on the Doctor. Be careful; I recommend some sort of activity during marathon viewing (you really have to build up stamina for it); for example, I will sew, or crochet, or stuff envelopes, or jump on a mini-trampoline. A task that needs doing, but not real attention. That way you reduce the feeling of guilt over spending so much time in front of the TV. It's all about productivity.
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